Schifferle's use of acrylic spray paint asserts a direct, physical presence. 'Girl Goes Outside, But The World Is Not OK,' 2025 captures the uneasy negotiation of often hostile environments, particularly through a female experience. Femininity, in Schifferle’s practice, is not represented as stable or idealized or a unified concept; instead, it mutates and confronts through fragmented bodies, and hybrid forms that challenge conventional depictions of woman with joy, mischievousness, defiance, and emotional intensity.