A fruit of caricature, of the Other, the watermelon often serves as a racist shorthand for African-Americans in the US; while in Russia it recalls the contested Caucasus and in Europe the countries of origin of the migrant populations, be it Turkey, North Africa or elsewhere. Placed in the two Robert Oerley pots at the entrance to the Vienna's Secession, the watermelons encourage visitors to experience the “Not Moscow Not Mecca” exhibition not just cerebrally, but also sensorially and affectively.