Iso, 2024 reflects Ginsburg’s mediations between industrialization impressionism, influenced by J. M. W. Turner. Atmosphere and light intertwine with elements like dust, turbidity, and smog, creating a conflicting sense of depth and materialisation, on the one hand the legible structures forcing a perspective, yet filtered through Ginsburg’s atmospheric application of paint. This exploration echoes a process where abstract forms gradually reveal recognizable industrial shapes, as if emerging naturally from a landscape.