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Love Me, Love Me Not
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Artworks
Slavs and Tatars
Love Me, Love Me Not [Poland-Gdańsk], 2020copper mirror reverse glass and acrylic paint aluminum frame
85 x 60 cm
33 7/16 x 23 9/16 in
unique out of Love Me, Love Me Not Series -
Artworks
Slavs and Tatars
Love Me, Love Me Not [Georgia-Bolnisi], 2020copper mirror, reverse glass and acrylic paint, aluminum frame
85 x 60 cm
33 7/16 x 23 9/16 in
unique out of Love Me, Love Me Not Series -
Artworks
Slavs and Tatars
Both Sides of the Tongue (Chinese), 2017Book cover acrylic paint acrylic glass and plexi frame
32 x 43 x 5 cm
12 9/16 x 16 14/16 x 1 15/16 ins -
Artworks
Slavs and Tatars
Figa, 2016screen print on polished steel
198 x 78 cm
77 15/16 x 30 11/16 in
edition 3/3 + (1AP) -
Artworks
Slavs and Tatars
Underage Page (extended-turquoise), 2018stainless steel faux leather foam
105 x 156 x 60 cm
41 5/16 x 61 6/16 x 23 9/16 ins
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A genealogy of a given city’s name changes, the result of rising or falling empires, states, and populations. Some cities divulge a resolutely Asian or Muslim heritage, so often forgotten in some citizens’ quest, at all costs, for a European, Christian identity. Others vacillate almost painfully, and others with numbing repetition, entire metropolises caught like children in the spiteful back and forth of a custody battle.
Sights #1 | Love Me, Love Me Not : SLAVS AND TATARS
Past viewing_room