Alexander Carver
Appropriated texts, fragmented information graphics, and lush plants form a dense image ecology that develops in close relation to his film and video art. The paintings are populated with mesmerizing braille-like meshes, functioning sometimes as diagrams, spatial coordinates, or appearing like raised pores over the surface of the skin. Carver’s application of techniques such as frottage produce dense, multilayered, and kaleidoscopic compositions, able to warp space and time.
Alexander Carver (b. 1984) lives and works in Boise, Idaho. Carver is a graduate of Cooper Union, New York and received his Masters of Fine Arts from Columbia University, New York. Alexander Carver’s work has been exhibited and screened in international venues and in festivals including Kraupa-Tuskany Zeidler, Berlin (2023); Stavanger Art Museum (2023); the Art Encounters Biennial, Romania (2021); Kraupa-Tuskany Zeidler, Berlin (2021); Helena Anrather, New York (2021); Miguel Abreu Gallery, New York (2019); Tate Modern (2018); Kraupa-Tuskany Zeidler, Berlin (2018); Lincoln Center, New York (2016); Berlinale, Berlin (2015); Biennale of Moving Image, Geneva (2014); Melbourne International Film Festival, Melbourne (2014); BAM, New York (2014); Locarno International Film Festival, Locarno (2013); Vancouver International Film Festival, Vancouver (2013).
Alexander Carver’s work is in the collections of:
Stavanger Art Museum, Norway
Ringier Collection, Zurich
Kistefos Museum, Norway
Langen Foundation, Neuss
GOME Art Foundation, Hong Kong
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Cave Canem!, 2022
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Operating Theater, 2022
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A branch impaling a leg stripped of its flesh, 2021
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Becoming Naturalized, 2021
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Functionalization of plant tissues for human cell expansion, 2021
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I like to think (it has to be!) of a cybernetic ecology where we are free of our labors and joined back to nature, returned to our mammal brothers and sisters, and all watched over by machines of loving grace., 2021
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Skin Graft Preparation Device, 2021
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The Pagan Machine, 2021
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Transfusion I, 2021
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Transfusion II, 2021
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Transpeciation, 2021
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Plant Food: Not A Metaphor XIII, 2020
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Surgical Console, 2019
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Abstract, Dwelling Complex, 2018
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Blueprint I, 2018
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Bubble Revision (for Barry Diller), 2018
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Left Behind, 2018
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Modular Steel Cells II, 2018
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Positions I, 2018
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Sludge Digester, 2018
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Athletic Painting Support III, 2017
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Athletic Painting Support XIII, 2017
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Bear Market, 2017
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Bear Market II, 2017
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Plant Food: Not a Metaphor VII, 2017
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ALEXANDER CARVER
exhibition view, Engineer Sacrifice, Miguel Abreu Gallery, New York, 2022
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ALEXANDER CARVER
exhibition view, Engineer Sacrifice, Miguel Abreu Gallery, New York, 2022
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ALEXANDER CARVER
exhibition view, Engineer Sacrifice, Miguel Abreu Gallery, New York, 2022
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ALEXANDER CARVER
exhibition view, Engineer Sacrifice, Miguel Abreu Gallery, New York, 2022
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ALEXANDER CARVER
exhibition view, Engineer Sacrifice, Miguel Abreu Gallery, New York, 2022
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ALEXANDER CARVER
exhibition view, Potent Stem, Kraupa-Tuskany Zeidler, Berlin, 2021
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ALEXANDER CARVER
exhibition view, Potent Stem, Kraupa-Tuskany Zeidler, Berlin, 2021
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ALEXANDER CARVER
exhibition view, Potent Stem, Kraupa-Tuskany Zeidler, Berlin, 2021
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ALEXANDER CARVER
exhibition view, Potent Stem, Kraupa-Tuskany Zeidler, Berlin, 2021
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ALEXANDER CARVER
exhibition view, Potent Stem, Kraupa-Tuskany Zeidler, Berlin, 2021
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ALEXANDER CARVER
exhibition view, External Fixation, Miguel Abreu Gallery, New York, 2019 -
ALEXANDER CARVER
exhibition view, External Fixation, Miguel Abreu Gallery, New York, 2019
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ALEXANDER CARVER
exhibition view, External Fixation, Miguel Abreu Gallery, New York, 2019 -
ALEXANDER CARVER, AVERY SINGER
exhibition view, Bubble Revision, Miguel Abreu Gallery, New York, 2018 -
ALEXANDER CARVER
exhibition view, Bubble Revision, Miguel Abreu Gallery, New York, 2018
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ALEXANDER CARVER, AVERY SINGER
exhibition view, Bubble Revision, Miguel Abreu Gallery, New York, 2018 -
PIETER SCHOOLWERTH, ALEXANDER CARVER, AVERY SINGER
exhibition view, Bubble Revision, Miguel Abreu Gallery, New York, 2018 -
ALEXANDER CARVER, PIETER SCHOOLWERTH, AVERY SINGER
exhibition view, Call Out Tools, Kraupa-Tuskany Zeidler, Berlin, 2018
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Of Orchids and Wasps
ALEXANDER CARVER, TAÍNA CRUZ, BRETT GINSBURG, BIRKE GORM, URSULA SCHULTZE-BLUHM, ROSARIO ZORRAQUÍN 4 March - 15 April 2023 -
Potent Stem
Alexander Carver 19 June - 21 August 2021Potent Stem is Alexander Carver's second solo exhibition at the gallery. The works presented in the exhibition expand upon Carver’s accumulating ecology of images, including patent documents, medieval wood cuts,...Read more -
CALL OUT TOOLS
ALEXANDER CARVER, PIETER SCHOOLWERTH, AVERY SINGER 29 September - 24 November 2018 -
CELL
ALEXANDER CARVER 10 March - 14 April 2018
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OPENINGS: ALEX CARVER
Dean Kissick, Artforum, 1 June 2023 -
Painting’s Small Infinity: Alex Carver Interviewed by Blake Oetting
Blake Oetting, BOMB Magazine -
Army Wives, Incest and Uncomfortable Racial Politics in "Friends with Benefits" at the Film Society of Lincoln Center
Sarah Savolaara, Brooklyn Magazine, Online, February 2016 -
Waving the Flag of Naughtiness: “Friends with Bene????ts” at Film Society of Lincoln Center
Craig Hubert, Blouin Artinfo, Online, February 05, 2016 -
A Diaspora of Desire: Gabriel Abrantes, Daniel Schmidt, Benjamin Crotty and Alexander Carver
Jordan Cronk, Senses of Cinema #79, July 2016
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Art Basel
Basel (CH) 16 - 19 June 2022 -
Art Basel
Basel (CH) 24 - 26 September 2021https://www.artbasel.com/Read more -
Artissima
Turin (IT) 31 October - 3 November 2019 -
Art Berlin
Berlin (DE) 12 - 15 September 2019 -
Art Basel Hong Kong
Hong Kong (CN) 12 - 16 June 2019 -
Art Basel
Basel (CH) 11 - 16 June 2019 -
Art Cologne
Cologne (DE) 11 - 14 April 2019 -
Art Berlin
Berlin (DE) 27 - 30 September 2018 -
Art Basel
Basel (CH) 14 - 17 June 2018 -
Art Cologne
Cologne (DE) 19 - 22 April 2018 -
Art Basel Hong Kong
Hong Kong (CN) 29 - 31 March 2018 -
FIAC
Paris (FR) 19 - 22 October 2017 -
Art Berlin
Berlin (DE) 14 - 17 September 2017